MUSIC :: ELEMENTARY
LESSON PLAN
ELEMENTARY LESSON PLAN
Submitted by Mary Anne Martin-Howell, Cumberland County
Schools
Lesson Title:
Totally Ternary
Grade Level or Course:
First Grade Music
Time Allotment:
35-40 Minutes
Targeted Goals and Objectives from the 2000 North Carolina Arts Education
Standard Course
of Study and Grade Level Competencies, K-12:
- 4.02 Compose a simple melody using at least three pitches
-
4.03 Compose a simple rhythmic pattern using quarter and eighth note and quarter
rest? durations
- 2.04 Demonstrate and maintain a steady beat
-
2.01 Recognize and play pitched and unpitched instruments
- 2.02 Play
with increased rhythmic accuracy
- 6.01 Identify simple music forms
when presented aurally, including AB, ABA, and Introduction
- 7.02 Demonstrate
respect for the musical efforts and opinions of others
Materials/Equipment Needed:
Nursery rhyme or poem; unpitched percussion instruments; visuals for eighth
note, quarter note, and quarter rest durations.
Lesson Procedure:
- Select a two-phrase (8 measure) nursery rhyme or poem that
is in 2/4 meter, such as "Old King Cole" (may be found in Second Rhyme
Around by Randy DeLelles and Jeff Kriske, 1995).
- Echo text by phrase
while class keeps steady beat.
- Speak the rhyme with a body percussion
pattern for accompaniment (such as patsch, patsch, clap where patsch = eighth
notes and clap = quarter note).
- Have the students compose a tri-tonic
melody for the rhyme. This may be done individually, in groups, or as a class.
- Present visuals for eighth note, quarter note, and quarter rest.
-
Have the students create four-beat patterns to use as a contrasting section
for ternary form, using the visuals.
- Perform A:rhyme with body percussion,
B:four-beat pattern, four times, A:rhyme with body percussion.
- As an
extension, transfer contrasting sections to body percussion (i.e.: eighth notes
= patschen, quarter notes = clap, quarter rests = snaps) or unpitched percussion
(ie: eighth notes = woods, quarter notes = membranes, quarter rests = metals).
- As a challenge, use the four-beat pattern as a separate ostinato to
accompany the rhyme. This can be turned into a rondo by having each child perform
his or her rhythm pattern as the contrasting sections.
Assessment:
Assessment of individuals:
The teacher will assess each student using a checklist with which students are
familiar that incorporates the guidelines for their compositions and performances
(see Assessment Item that aligns with this Lesson Plan).
<< Back
| Table of Contents
| Next >>