| advance organizer |
A graphic representation of the major points that assist learners
in the comprehension and organization of information from a selection. |
alphabetic principle
|
The precept upon which written language is based: that letters represent
sounds. |
| alternative assessment |
assessment An evaluation other than standardized testing.
Alternative assessment may include portfolios, reading folders, interviews,
self-evaluations, anecdotal records of observations, book lists, and
performance-based samples. |
| argumentative communication |
Written, spoken or visual creation that involves defining issues
and proposing reasonable resolutions. |
| argumentative writing |
One of the four chief composition modes. Its purpose is to convince
a reader or listener by establishing the truth or falsity of a proposition. |
| assessment |
1. The act or process of gathering data in order
to better understand the strengths and weaknesses of learning and to
plan instruction as by observation, testing, interviews, etc. 2.
Judgments or evaluations made after data are gathered and analyzed. |
| audience |
The collection of intended readers, listeners, or viewers for a particular
work or performance. An audience may be physically present (for example,
in the case of a dramatic performance) or separated by time and distance
(in the case of written texts). |
| chapter book |
A book long enough to be divided into chapters but not long or complex
enough to be considered a novel. |
coherence of text |
The subjective interpretation by the reader of the extent to which
ideas in text appear to "hang together" in a clear, unified
pattern. |
| cohesiveness of text |
The links or ties that connect text elements to provide
unity and clarity within or between sentences and contribute to the
reader's impression of text coherence. |
| collaborative learning |
Activities in which students work together in groups
to achieve a common goal or product. |
| communication environment |
Settings for exchanging information that necessitate
communicating with clarity, purpose, and a sense of audience. |
| consonant blends |
Two or more consonant letters (next-door neighbors).
The sounds they represent are blended together when pronounced, as the
pl in plant and the str in stream. |
| consonant digraphs |
Combinations of two consonant letters that represent
one sound (e.g., sh, ch). |
| context |
1. The sounds, words, or phrases adjacent
to a spoken or written language unit; linguistic environment. 2.
The social or cultural situation in which a spoken or written message
occurs. |
| context clue(s) |
1. Information from the immediate textual
setting that helps identify a word or word group including phrases,
sentences, illustrations, syntax, typography, etc. 2.
The syntactic and semantic information in the surrounding words, phrases,
sentences, and paragraphs in a text. Additionally, the background knowledge
readers bring to reading, reader's purposes for reading, and the
conditions under which material is read all contribute to the reading
context. When readers meet unfamiliar words, context cues narrow down
the possible word choices, thereby making word identification more efficient. |
| contextual analysis |
The search for the meaning of an unknown word through
an examination of its use in context. |
| convention |
An accepted practice in a spoken or written language. |
| creative thinking |
The ability to form new combinations of ideas to fulfill
a need or to obtain original and otherwise appropriate results. |
| critical communication |
Written, spoken, or visual creation which involves interpreting,
proposing, evaluating, and judging. |
| critical thinking |
Logical, reflective thinking that is focused on deciding
what to believe or do. It may include analyzing arguments, seeing other
points of view, and/or reaching conclusions. |
| cross-check |
A strategy readers use to check one source of information
against another (e.g., graphophonic, syntactic, semantic). |
| cues/cueing systems |
Sources of information used by readers to construct
meaning. The language cueing systems include the graphophonic system&emdash;the
relationships between oral and written language (phonics); the syntactic
system&emdash;the relationship among linguistic units such as prefixes,
suffixes, words, phrases, clauses, and word order (grammar); and the
semantic system&emdash;the meaning system of language. |
| emergent literacy |
Development of the association of print with meaning that begins
early in a child's life and continues until the child reaches
the stage of conventional reading and writing. |
empirical scientific research |
Experimental and quasi-experimental designs (where variables are
manipulated and their effects upon other variables observed) as well
as other forms of research recognized by the Joint Committee on Standards
for Educational Evaluation. Research should be comprehensive and thorough,
test different theories against each other, be longitudinal in order
to look at different variables over time, have controlled variables,
and be capable of being replicated (Eichelberger, 1989; Mitzel, 1982). |
| encode |
To change a message in one set of symbols into another
set of symbols. |
| engagement |
The phase of the communication process in which the
learner checks for understanding, monitors comprehension, uses fix-up
strategies, and gives complete attention to the task. |
| environmental print |
Print and other graphic symbols, in addition to books,
that are found in the physical environment, as street signs, billboards,
television commercials, building signs, etc. Note: Environmental print
affords opportunities for learners in early phases of emerging literacy
to discover and explore the nature and functions of graphic symbols
as conveyors of meaning. |
| expressive communication |
Written, spoken, or visual creation that reveals or
explores thoughts, feelings, and observations. |
| generalization |
A broad statement derived from or showing a relationship
to specifics. Main idea and theme are examples. |
| genre |
A category used to classify literary and other works, usually by
form, technique, or content, (e.g., fiction, nonfiction, drama, poetry). |
| grammar |
The means by which the different components of language can be put
together in groups of sound and written or visual symbols so that ideas,
feelings, and images can be communicated; what one knows about the structure
and use of one's own language that leads to its creative and communicative
use. |
| grapheme |
A written or printed representation of a phoneme, as b /b/ and oy
for /b/ and /oi/ in boy. Note: In English, a grapheme may be a single
letter or a group of letters. It includes all the ways in which the
phoneme may be written or printed. |
| grapheme-phoneme correspondence |
The relationship between a grapheme and the phoneme(s) its correspondence
represents; letter-sound correspondence, as c representing /k/ in cat
and /s/ in cent. Phonics as a teaching device in reading instruction
concerns grapheme-phoneme correspondences&emdash;that is, how to
pronounce words seen in print. |
| graphic organizer |
A visual map of vocabulary and/or concepts and their relationships
designed to assist learners in comprehending selections. Examples are
timelines, diagrams, flow charts, outlines, and semantic maps. |
| graphophonic cues |
1. Learner's knowledge of the relationship
between written language and the sounds of spoken language (symbol sound).
A learner would ask the question, "Does the word sound and look
right?" 2. One of the three types of cues readers
use to construct meaning; the relationships between written and spoken
language (phonics). Referring to the relationship between the orthography
and phonology of a language. |
| guided reading |
Reading instruction in which the teacher provides the structure
and purpose for reading and for responding to the material read. |
| language experience |
An approach to learning to read in which the student's
or group's own words or oral compositions are written down and
used as materials of instruction. |
| learning log |
A subject journal that gives the students an opportunity to respond
to new information presented in class, to explore their thoughts and
feelings about class discussions and group work, and to react to reading
assignments. Learners can evaluate their individual progress as they
work on long-range projects and reports; can keep track of important
facts, concepts, and vocabulary words; and can use their logs to review
for major tests. |
| letter clusters |
Any group of letters within a word which a reader perceives
as a unit (e.g., "-ing, ch, th, thr, ea, oa, eir"). |
| letter-sound generalizations |
Consistent patterns in written language which represent particular
sounds. |
| leveled books |
Books grouped and graded for difficulty based on specific text characteristics. |
| literature |
Print and non-print texts that provide a deeply engaging aesthetic
experience. |
| literature anthology |
Collection of literature. |
| literature-based reading |
Reading that uses literature as primary material in reading programs
and as a springboard to different subjects such as health, science,
and social studies and to other media such as newspapers, magazines,
and catalogs. |
| literature-extension activities |
Activities designed to enable learners to respond to and deepen/broaden
understanding of a selection. These activities may include rereading
for different purposes, retelling of stories, comparison charts, illustrating
favorite scenes and characters, or acting out a story. |
| long vowels |
Sounds in words that are heard in letter names, such as the a
in ape, e in feet, i in ice,
o in road, and u in mule. |
| mapping |
A strategy in which the relationship among information
in the text is put in diagram form in order to clarify, stimulate thinking,
or strengthen memory. |
| media |
The various physical means through which information may be communicated
or aesthetic forms created, (e.g., newspapers, film, books, computer
software, painting). |
| metacognition |
Awareness and control of one's thinking. Awareness
of specific thinking and learning strategies and when to apply them. |
| morpheme structure |
Smallest unit of meaning (e.g., book, ful, pre, s', ing).
A free morpheme can stand alone (ex: book, rose). A bound morpheme needs
another morpheme to make a word (e.g., pre, ful, ness). |
| multimedia |
The use of more than one medium; for example, a multimedia research
paper might include a written report, photographs, computer-generated
charts, and audio-taped interviews. |
| phoneme |
The smallest sound segments that differentiate one word
from another. For example, the word "man" has three
phonemes /m/, /a/, and /n/. Some phonemes
are represented by combinations of letters (e.g., /th/, /sh/),
and some letters represent more than one phoneme (e.g., c, g, a,
e, i, o, u). |
| phonemic awareness |
The realization that spoken language is made up of word, rhyme,
syllable, and sound segments, and the conscious ability to consciously
arrange and rearrange these segments. |
| phonic generalization |
A statement or rule that indicates under which condition(s) a letter
or group of letters represents a particular sound or sounds, as a silent
e at the end of a word usually indicates that the preceding vowel sound
is long, as the a in fate. |
| phonics |
The system of sound-letter relationships used in reading and writing.
The study of the relationship between the letters in written words and
the sounds in spoken words. |
| phonogram |
1. In word recognition, a letter sequence comprised
of a vowel and one or more ending consonants (e.g.,-ed in red,
bed, fed, or -ake in bake, cake, lake). 2.
The printed symbol of one or more letters representing one speech sound
in a given word (e.g., b, d, p, ch, er, sh, igh, dge, eigh, ough). |
| phonology |
The study of speech sounds and their functions in a language. |
| picture book |
A book in which the illustrations are as important as the text,
and the telling of the story. Note: Picture books are often among the
first books introduced to children and are usually intended to be read
aloud or told to children. |
| picture cues |
The cues to meaning that learners glean from the illustrations in
books. |
| point of view |
The way in which an author reveals his or her perspective/viewpoint,
as in characters, events, and ideas in telling a story. |
| portfolio |
A collection of examples of a student's work which may be
used for evaluation and information. |
| phonemic awareness |
The realization that spoken language is made up of word, rhyme,
syllable, and sound segments, and the conscious ability to consciously
arrange and rearrange these segments. |
| predictable books |
Picture books characterized by predictable story lines and the repetition
of phrases and rhythm and/or rhyme which enable children to make predictions
about content. |
| prefixes |
Meaningful parts attached to the beginning of words, such as re
+ play = replay and un + cover =
uncover. |
| preparation |
The initial phase of the communication process in which a learner
previews the text, draws upon background knowledge, sets purpose for
activity, and focuses on the task. |
| print |
Any text that creates meaning through writing, such as books, stories,
reports, essays, poems, play script, notes, and letters. Print texts
may also be produced and circulated electronically. |
| print awareness |
Awareness of the characteristics and conventions of written language
including the concepts that 1) written language is distinct from speech,
conveys meaning, and is written from left-to-right and top-to-bottom
in English; 2) print in the form of words corresponds to speech; and
3) white space marks the boundaries of printed words. |
| print text |
Any text that creates meaning through written language such as books,
stories, reports, essays, poems, play scripts, notes, and letters. |
| prior knowledge |
Knowledge and experience related to a topic a reader/writer brings
to the task. |
| punctuation |
An orthographic system that separates linguistic units, clarifies
meaning, and can be used by writers and readers to give speech characteristics
to written material. |
| purpose |
The reason people are using the language arts to communicate. |
| r-controlled vowels |
Occur when a vowel in a syllable precedes an r
which modifies the vowel sound, as the ar in car, the er in
serve, the ir in first, the or in
forest, and the ur in fur. |
| reader's workshop |
Instructional time that includes sharing literature, conducting
mini-lessons, having conferences about what the learners have read,
and giving time for learners to share what they have read as a whole
group or individually. |
| reading log |
A notebook that contains comments and personal responses to the
individual selections a learner has read. |
| reading strategy |
1. A systematic plan for achieving a specific goal
or result. 2. A practiced but flexible way of responding
to reading demands. |
| receptive language |
Language and vocabulary which are learned from the environment by
viewing, listening, and reading. |
| recode |
To change a message from one code to another as in recoding oral
language into writing, or reading into words. |
| recursive process |
Moving back and forth through a text in either reading or writing,
as new ideas are developed or problems encountered. In reading a text,
recursive processes might include rereading earlier portions in light
of later ones, looking ahead to see what topics are addressed or how
a narrative ends, and skimming through text to search for particular
ideas or events before continuing reading. In creating a written composition,
recursive processes include moving back and forth among the planning,
drafting, and revising phases of writing. |
| reflection |
The process of seriously thinking over one's experiences. |
| representing |
The presentation aspect of viewing. It is the nonverbal depiction
of communication. |
| response |
The phase of the communication process which involves summarizing,
reflecting, and evaluating what has been read, written, heard, spoken,
represented, or viewed. |
| response journal |
A notebook or folder in which students record their personal reactions
to, questions about, and reflections on what they read, view, listen
to, and discuss in addition to how they actually go about reading, writing,
viewing, listening, and discussing. |
| retelling |
1. Restating a story or information in one's
own words. 2. A measure of reading comprehension. Note:
The purpose of retelling is to gain insight into the reader's
ability to interact with, interpret, and draw conclusions from the text. |
| rhetoric |
The study of the theory and principles of effective communication. |
| rhyme |
Identical or very similar recurring final sounds in words within
or, more often, at the ends of lines of verse. |
| rhyme awareness |
The realization that spoken words contain rhyming sounds. Learners
who are aware of the rhymes in words can separate rhyming sounds from
words, identify rhyming sounds, and give examples of rhyming sounds
and words. |
| rime(s) |
1. A vowel and any following consonants of a syllable,
as /ook/ in book or brook, /ik/ in strike, and /a/
in play. 2. The sounds heard at the end of
syllables and are made up of the vowel and any subsequent consonants.
Words that share rimes, such as the at in cat and hat, rhyme. |
| scaffolding |
The support a teacher initially gives to students by
assisting and supporting aspects of the learning tasks until students
can function independently. |
| schema (schemata) |
A cognitive structure (mental map/file) composed of integrated experience
and knowledge which includes the learner's background, beliefs,
attitudes, and skills. |
| self-monitoring |
1. Self-checking of one's understanding of text. 2. In reading,
the conscious awareness of comprehending the text, marked by self-questioning,
reading, and reflection on that text. 3. In writing, the conscious awareness
of the progress of the text, marked by rereading and reflection on features
of the text needed to communicate effectively to an audience. |
| semantic cues (semantics) |
1. The meaningful relationships among words in
phrases, sentences, and paragraphs. Semantic context cues are the basis
on which readers decide if an author's message is logical and
represents real-world events, relationships, and phenomena. When readers
use semantic context cues, they ask themselves, "Does this make
sense?" 2. One of the three cueing systems readers
use to construct texts. The semantic system focuses on the meaning of
texts, where meaning is seen as connections between words (or other
linguistic units) and the reader's prior knowledge of language
and linguistic forms, understanding of the world, and experience of
other texts and contexts.
|
| semantic map |
A visual strategy for vocabulary expansion and extension of knowledge
by displaying, in categories, words related to other words. |
| shared reading |
1. A method which capitalizes on the storytime
experience by involving students in a wide variety of experiences with
a book. 2. An instructional strategy in which the teacher
involves a group of young children in the reading of a particular big
book in order to help them learn aspects of beginning literacy and develop
reading strategies (e.g., decoding skills or prediction). |
| short vowels |
Represent the sound of the a in apple, the e
in end, the i in igloo, the o in
odd, and the u in bus. Though other combinations
may also be classified as short, these five are typically considered
when teachers and learners explore short vowels. |
| spelling |
The process of representing language by means of a writing system
or orthography. |
| SQ3R (survey, question, read, recite, review) |
A study technique through which students survey the text to be read,
generate questions based on headings and illustrations, read the material,
record major points for later reference, recite what they have learned,
and then review the material and their notes. |
| standard English |
That variety of English in which most educational texts and government
and media publication are written in the United States. English as it
is expected to be used by people in the mainstream of business, economic,
professional, and social environments. |
| story grammar |
The organization of the story. The parts include articulation of
the main character's goals, a delineation of the sequence of his
or her attempts to achieve these goals, a resolution of the story conflict,
and the major character's reaction to the resolution. |
| strategy |
A systematic plan for achieving a specific goal or result. |
| structural analysis |
A process to identify a word by using knowledge of syllables, suffixes,
prefixes, root words, contractions, compound words, and other word parts
and word forms. |
| suffixes |
Meaningful parts attached to the end of words, such as the play
+ ing = playing and slow + ly =
slowly. |
| syllables |
Units of pronunciation that include a vowel sound. All words have
at least one syllable. To find out how many syllables there are in any
word, count the number of vowels you hear as you say the word aloud. |
| syntactic cues (syntax) |
1. The way language is structured and ordered within
sentences. 2. Knowledge about word order, the grammatical
structure of the language, or the arrangement of textual elements. A
learner's use of the syntactic cueing system answers the question,
"Does it sound like language?" |
| systematic |
Deliberate plan for instruction. According to a system, not random
or haphazard. |
| temporary spelling |
A young child's attempt to spell words as he or
she is learning to read and write. These spellings reflect generalizations
about written language and the child's current level of understanding
of letter-sound relationships. |
| text |
Printed communications in their varied forms; oral communications,
including conversations, speeches, etc.; and visual communications such
as film, video, and computer displays. |
| thematic units |
Units of study designed around a central topic, problem, question,
or issue. |
| think-aloud |
To verbalize what is thought while reading, writing, or representing.
|
| thinking processes |
Relatively complex and time-consuming cognitive operations, such
as concept formation, problem solving, and composing. |
| thinking skills |
Relatively specific cognitive operations that can be considered
the "building blocks" of thinking. Specific examples are information
gathering, organizing, analyzing, and evaluating skills. |
| trade book |
1. Fiction and nonfiction books other than literature
anthologies and basal readers. 2. In the United States
and Canada, for example, a book published for sale to the general public.
3. Commercial books, other than basal readers, that
are used for reading instruction. |
Fox, Barbara J. Strategies for Word Identification: Phonics from a New
Perspective. Englewood Cliffs, New Jersey. Merrill, 1996.
Harris, T.L. and Hodges, R.E. The Literacy Dictionary. Newark,
Delaware. International Reading Association, 1995.